Antichità Torino are amongst the most fascinating objects of our shared cultural heritage, often pre-dating modern religions and nations. They span the entire timeline of art history, ranging from functional to decorative and from early civilizations.

When purchasing an antique you should be sure to deal with a reputable dealer who guarantees authenticity. Reputable dealers belong to trade associations and work closely with museums and academia.
Authenticity is the quality of being genuine or real. When it comes to ancient art, this is particularly important as some pieces might have an extremely high value or be of special significance. For example, a ring worn by Marie Antoinette may be worth a fortune – so, you want to know it’s the real thing.
The term ‘authenticity’ has become very popular as a concept in contemporary Western thought and is often associated with existentialism. However, it has also come to embody a powerful ideal that is central to our modern worldview.
In essence, the idea behind authenticity is that we should live according to commitments we wholeheartedly endorse. Specifically, these commitments must be those that are fundamental to our self-identity. For this reason, the idea of authenticity is often paired with a concept of autonomy. This is the notion that moral principles should be rooted in a person’s ability to deliberate freely and independently from manipulation (Schneewind 1998; Dworkin 1988).
When it comes to purchasing antiquities, it is important to work with a reputable dealer who guarantees the authenticity of his or her items. If you are unsure about the credibility of a dealer, it is always a good idea to look for membership of trade associations. These organisations will be able to provide you with lists of approved dealers and can assist in mediation or resolution if the need should ever arise.
Additionally, it’s important to keep in mind that some antiquities can change in appearance over time. For instance, bronzes might develop additional patina or bronze disease over the years, inscriptions on ancient glass might fade and even antique jewellery can break or discolour if not properly cared for. Therefore, it’s vital that you work with an expert to ensure the condition of your purchases over time.
Due diligence is the system of checks that trade professionals need to complete to ensure that the items they are selling are not faked, looted or stolen. This will usually involve checking an object against a database of known stolen or lost items, as well as consulting with other experts and restorers. It’s a vital process that should be followed by all reputable dealers, regardless of their area of expertise.
Due Diligence
Due diligence is a well-known and important term in business that relates to the process of investigating and validating information before making high-stakes decisions. It’s an essential part of many professional practices and widely applied in areas such as real estate, M&A, corporate finance, and regulatory compliance. Effective due diligence allows businesses to validate their own information and make informed choices that minimize risk.
When it comes to antiquities, a similar but distinct set of issues can come into play. In addition to ensuring that an ancient object is genuine, it’s also vital to verify its legal status in order to comply with laws and avoid illegal trafficking. Many nations have laws that assert the ownership of cultural artifacts found within their borders, and removing them from the country can be seen as theft or illicit trade. These laws can severely limit access to antiquities from some of the world’s most significant civilizations.
To ensure the authenticity of an antiquity, a full authentication report from a reputable expert is a must. This can be done either on an individual basis or in the context of a large transaction. Having a full authentication report can help prevent the risk of purchasing a forgery and also helps to protect museums and dealers from liability.
Conducting effective provenance research for ancient objects can be challenging and time consuming, but it’s an essential step in protecting buyers and dealers from criminal activity. It cannot be left to a database such as the Art Loss Register, which is often out of date and can’t always provide the complete history of an object’s movement. Professional investigators of the antiquities market have long recognized that they must employ a detailed methodology to uncover irregularities and suspicions. Auction houses should strive to do the same and not rely solely on databases to conduct their due diligence.
The ADA Code states that members must “make all reasonable enquiries” to ascertain earlier ownership histories of antiquities they offer for sale, mindful that the illicit removal of archaeological objects from their original context can seriously damage our knowledge and understanding of the past. Banning the trade in objects without documented provenance would not solve the problem of fakes and looted artifacts and it’s far better to allow an open, regulated trade with proper crime prevention policies than allowing it to continue to be exploited by the unscrupulous.
London’s Antiquities Trade
Since the city’s inception, London has welcomed antiques from all over the world. Today, these pieces form world leading private collections and museums, as well as a thriving art industry and a global community of collectors. The British government, however, is now struggling to keep pace with this growth. As a result, it is increasingly difficult for law enforcement agencies to track and prosecute those involved in the illicit antiquities trade.
Many of the problems are rooted in poor legal frameworks, insufficient resources and weak enforcement. These weaknesses can also be blamed on a lack of cooperation between local, national and international authorities. In addition, there is a lack of consistency in how different countries deal with issues such as the export of cultural goods.
Despite these weaknesses, there are some positive developments. For example, over the last few years there has been an increased emphasis on due diligence and establishing provenance. As a result, auction houses and dealers are taking great care to ensure that their sales are ethical and legitimate.
This is a step in the right direction, but it must continue to be expanded. Moreover, there needs to be a holistic approach that addresses the full chain of illicit trading: from excavation to the first and second intermediaries (dealers), to those transporting objects from one country to another, and finally to the collectors.
Finally, there needs to be a change in attitudes. For too long, the archaeological community has been reluctant to interact with the antiques trade and has focused on a single issue of looting. As a result, the antiquities trade has become associated with organised crime and money laundering, a view that is not accurate and unfair.
Ultimately, the legitimate antiques trade must do more to combat this false association, and to promote the good work that it does. This must involve raising awareness about the impact of the illicit trade and its links to terrorist financing, drug trafficking and arms dealing – and encouraging greater collaboration between archaeologists, museum curators and art dealers in order to support repatriation of stolen objects.
Supporting Preservation
Archaeological sites are vulnerable to damage from natural and human causes, making it important that they remain in place as evidence of our past. By supporting excavations and archaeological field conservation, you are not only helping to preserve ancient remains, but also ensuring that future generations will be able to learn from them.
Art and antiques span the entire timeline of human civilizations, from Paleolithic cave paintings to early Egyptian mummies and Greek sculpture. Whether used for artistic appreciation or everyday utility, these ancient pieces are part of our cultural heritage and should be cared for by trained conservators and restorers. When an artwork needs to be restored, it requires a complex and detailed process of meticulous research, specialized techniques and careful attention. This enables conservators and restorers to re-establish the original appearance of an object while preserving its integrity, authenticity and longevity.
While excavations and conservation are essential to protecting our archaeological heritage, they cannot alone mitigate the illicit antiquities trade. To combat the growing threat of cultural racketeering, experts from across sectors – including law enforcement, government, private industry and civil society – must work together to strengthen legal markets and improve policing and border controls. The Antiquities Coalition hosted a roundtable in June that brought together representatives from different industries to discuss how best to collaborate on combating cultural racketeering. We look forward to continuing to engage with partners from all sectors in the effort to protect our precious heritage and safeguard the future.
In addition to supporting excavations and conservation, NYAC believes it is vital to educate people about the importance of responsible stewardship of archaeological resources and promote ethical collecting practices. Through educational programming and experiences, we encourage the public to understand the value of archeological resources and to act responsibly to ensure that these irreplaceable pieces of history are conserved for generations to come.
We are proud to support the Archaeological Institute of America’s Site Preservation Grant, which awards grants to projects that uphold the AIA’s mission to preserve the world’s archaeological heritage for future generations. The grants fund site preservation techniques like reburial and consolidation, as well as education and outreach initiatives. This year’s recipient, Donald Haggis and Margaret Mook, are implementing a comprehensive site preservation program at Azoria, Crete, to preserve a unique and sensitive site where archaeological deposits and landscapes need to be protected against climate change and natural hazards while remaining accessible to the public.